General Reading Resources
Alone in a Crowd: Prints of the 1930's-40's by African American Artists: From the Collection of Reba and Dave Williams , Reba and Dave Williams, 1993.
Baigeil, Matthew, A Concise History of American Painting and Sculpture , Harper and Row, New York, 1984.
Barnwell, Andrea; Evans, Walter; Buick, Kirsten; Mooney, Amy; Benjamin, Tritobia Hayes, The Walter O. Evans Collection of African American Art , Walter O. Evans Foundation for Art and Literature, Detroit, in association with the University of Washington Press, 2000.
Bearden, Romare, A History of African American Artists: From 1792 to Present , Pantheon Books, New York, 1993.
Bearden, Romare; Henderson, Harry, A History of African American Artists: From 1792 to the Present , Harry Abrams, New York, 1993.
Belk, Russell W., Collecting in a Consumer Society , Routledge, New York and London, 1995.
Bishop, Robert; M. Atkins Jacqueline, Folk Art in American Life , Penguin Books, New York, 1995.
Campbell, Mary Smith, et al., Harlem Renaissance: Art of Black America , Harry N. Abrams, Inc. New York, 1987.
Dallas Museum of Art, Black American Ancestral Legacy: The African Impulse in African-American Art , Harry N. Abrams, Inc., New York, 1989.
Driskell, David C., African American Visual Aesthetic , Smithsonian Institution Press, Washington, Dc, 1995.
Driskell, David, C., Hidden Heritage: Afro-American Art 1800-1950 , The Art Museum Association of America, San Francisco, 1985.
Driskell, David C., The Other Side of Color: African American Art in the Camille O. and William H. Cosby jr. Collection , Pomegranate Artbooks, San Francisco, 2001.
Fuller, Diana Burgess, Contemporary American Women Artists , Cedco, San Rafael, California, 1991.
Harley, Sharon, The Timetables of African-American History , Simon & Schuster, New York, 1995.
Hedgepeth, Chester M., Jr., Twentieth-Century African American Writers and Artists , American Library Association, Chicago, 1991.
Heller, Jules; Heller, Nancy G., North American Women Artists of the Twentieth Century: A Biographical Dictionary , Garland Publishing Inc., New York, 1995.
Henkes, Robert, The Art of Black American Women: Works of Twenty-four Artists of the Twentieth Century , McFarland & Company Inc., North Carolina, 1993.
Impressions/Expressions: Black American Graphics , The Studio Museum in Harlem, New York, 1980.
Jacobs, Joseph, Since the Harlem Renaissance: 50 years of Afro-American Art , Center Gallery, Bucknell University, Lewisburg, Pennsylvania, 1984.
King-Hammond, Leslie, Black Printmakers and the W.P.A. , Lehman College Art Gallery, New York, 1989.
King-Hammond, Leslie, Gumbo Ya Ya: Anthology of Contemporary African American Artists , Midmarch Arts Press, New York, 1995.
Lewis, David Levering, When Harlem Was in Vogue , Oxford University Press, New York, 1982.
Lewis, Samella, African American Art and Artists , University of California Press, Berkeley, 1990.
Lewis, Samella; Biddle Bob, Printmaking , in: The International Review of African American Art, Museum of African American Art, Santa Monica, California, 6.4, 1985, pg. 3-54.
Lippard, Lucy R., Mixed Blessings: New Art in a Multicultural America , Pantheon Books, New York, 1990.
Mallett, Daniel Trowbridge, Index of artists, international-biographical; including painters, sculptors, illustrators, engravers and etchers of the past and the present , P. Smith, New York, 1948.
McElroy, Guy C., African American Artists 1880-1987 : Selections from the Evans-Tibbs Collection, 1989, Smithsonian Institution, in association with Washington University Press, Seattle, 1989.
Miller, Lynn F.; Swenson, Sally S.; Smith, Beryl K.; Arbeiter, Joan, Lives and works, talks with women artists , Scarecrow Press, Metechen, New Jersey, 1981.
Opitz, Glenn B., Dictionary of American Sculptors: 18th Century to the Present , Apollo, Poughkeepsie, New York, 1984.
Perry, Regenia, Free Within Ourselves: African American Artists in the Collection of the National Museum of African Art , National Museum of American Art, Smithsonian Institution, Washington, D.C. in association with Pomegranate Artbooks, San Francisco, 1992.
Powell, Richard J., I Too, Am America, Protest and Black Power: Philosophical Continuities in Prints by Black Americans , in: Black Art: An International Quarterly, 2.3, Black Art Quarterly Ltd., Claremont, California, 1978.
Powell, Richard, Black Art and Culture in the 20th Century , Thames and Hudson, New York, 1997.
Rhapsodies in Black: Art of the Harlem Renaissance , Hayward Gallery, Institute of International Visual Arts, University of California, Berkeley, 1997.
Riggs, Thomas, ed., St. James Guide to Black Artists , Schomburg Center for Research in Black Culture, Detroit, 1997.
Robinson, Jontyle Theresa, Bearing Witness: Contemporary Works by African American Women , exhibition catalogue from the exhibition "Chronology", Fort Wayne Museum, Feb 1-March 30, 1997, Spelman College and Rizzoli International Publications, 1997.
Who's Who in American Art , 1997-1998 & 1993-1994.
Witzling, Mara, Voicing our Visions, Writings by Women Artists , Universe, New York, 1991.
Resources for Exhibited Artists in Alphabetic Order
A
Emma Amos
Amos, Emma, A New Park in Atlanta , in: International Review of African American Art, Vol. 14 issue 2 1997, pg. 60, Museum of African American Art, Santa Monica, California.
Aukeman, Anastasia, Emma Amos at the Studio Museum in Harlem , in: Art in America, Jan. 1996, Vol. 84 issue 1 pg. 103, Brandt Art Publications, New York.
Bass, Ruth, Emma Amos-Exhibitions, in: ARTnews, May 1995, Vol. 94 issue 5, p. 148, ARTnews Associations, New York.
Driskell, David C., African American Visual Aesthetics: A Postmodernist View, Smithsonian Institution Press, Washington DC, 1995.
Gardner, Paul, Light, Canvas, Action, in: ARTnews, Dec. 1994, Vol. 93, ARTnews Association, New York.
Gardner, Paul, Taking the Plunge, in: ARTnews, Feb. 1998, Vol. 97, issue 2, p. 110, ARTnews Association, New York.
Hansen, Trudy (et al.), Printmaking in America: Collaborative Prints and Presses 1960-1990, H.N. Abrams, in collaboration with the Mary and Leigh Block Gallery, Northwestern University, New York, 1995.
hooks, bell, Art On My Mind: Visual Politics , W.W. Norton, New York, 1995.
Karmel Pepe, Emma Amos , in: The New York Times, 3 Mar. 1995: C21.
Raynor, Vivien, Defying the Confines of Labels and Race , in: The New York Times, 15 Jan. 1995: Section 13NJ; Page 10; Column 1.
Raynor, Vivien, Fresh-looking Work from Six Veterans with a Wealth of Experience , in: The New York Times, 11 Aug. 1996: Section 13 NJ; Page 12; Column 4.
Schor, Mira, Contemporary Feminism: Art Practice, Theory, and Activism-An Intergenerational Perspective , in: Art Journal, Winter 1999, Vol. 58 issue 4, pg.8, College Art Association of America, New York.
Weathers, Diane, Emma Amos: Painting White , in: Essence, Sep. 1994 Vol. 25 issue 5, p. 56, Essence Communications, Inc., New York.
Yazigi, Monique P., Playing in the Neighborhood , in: The New York Times, 15 Jan. 1995, Section 13; Page 13; Column 1.
Benny Andrews
Aukeman, Anastasia, Benny Andrews at Bill Hodges , New York; exhibit, in: Art in America, Vol. 84 Jan 1998, pg. 101, Brandt Art Publication, New York.
Eakin, Hugh, The Collector as Patron in the Twentieth Century , in: ARTnews, Vol. 99, no. 5, Summer 2000, ARTnews Association, New York.
Fry, Vincent, Benny Andrews , McIntosh Gallery, Atlanta; exhibit, in: Art Papers, Vol. 18 September/October 1994, pg. 52-3, Atlanta Art Papers, Inc., Atlanta, Georgia.
Sheets, Hilarie, Benny Andrews: ACA , in: ARTnews, Vol. 100 June 2001, pg. 132, ARTnews Association, New York.
Stretch, Bonnie Barrett, Benny Andrews: ACA , New York; exhibit, in: ARTnews, Vol. 96 February 1997, pg. 115, ARTnews Association, New York.
Thompson, Mildred, Portrait of Benny Andrews , in: Art Papers, Vol. 12, no. 4, August 1988, pg. 6-10, Atlanta Art Papers, Inc., Atlanta, Georgia.
Tully, Judd, Benny Andrews , in: American Artist, Vol. 52 April 1988, pg. 42-5+, Watson-Guptill Publications, Stamford, Connecticut.
B
Romare Bearden
Bearden, Romare, A Graphic Odyssey: Romare Bearden as Printmaker, University of Pennsylvania Press, Philadelphia, 1992.
Bearden, Romare, The Human Condition, October 3-October 26, 1991, exhibition catalogue, ACA Galleries, New York, 1991.
Campbell, Mary Schmidt; Patton, Sharon F., Memory and Metaphor: The Art of Romare Bearden, 1940-1987, Oxford University Press, New York, 1991.
Glazer, Lee Stephens, Signifying Identity: Art and Race in Romare Bearden's Projections, in: Art Bulletin, Vol. 76, no. 3, September 1994, pg. 411-26, College Art Association of America, New York.
Kenner, Hugh, Cut and Paste: Romare Bearden's Collages Reflect His Life in Many Ways, in: Art and Antiques Vol. 9 May 1992, pg. 96, Billboard Publications, New York.
Margolies, Beth Anne, Bibliographic Essay on Three African American Artists, William H. Johnson, Romare Bearden and Jacob Lawrence, in: Art Documentation, Vol. 13, no. 1, Spring 1994, pg. 13-17, Bulletin of the Art Library Society of North America, Tucson, Arizona.
Messinger, Lisa Mintz, American Art: the Edith and Milton Lowenthal Collection, in: Bulletin-Metropolitan Museum of Art, Vol. 54, no. 1, Summer 1996, pg. 1-56, Metropolitan Museum of Art, New York.
Moorman, Margaret, Obituary, in: ARTnews, Vol. 87 Summer 1988, pg. 40+, in ARTnews Association, New York.
Naves, Mario, Romare Bearden at the Whitney, in: New Criterion, Vol. 15, no. 7, March 1997, pg. 57-9, Foundation for Cultural Review, New York.
Newkirk, Pamela, Shaping the Story of Black Art, in: ARTnews, Vol. 99. No. 5, May 2000, pg. 198-201, ARTnews Association, New York.
Powell, Richard; Reynold, Jock, To Conserve a Legacy: American Art from Historically Black Colleges and Universities, MIT Press, Cambridge, Massachussets; London, 1999.
Schwartzman, Myron, Bearden: His Life and Art, Extensive Interviews, pg. 32-43, 96-111, 188-199, 240-255, Harry Abrams, New York, 1990.
Walker, Richard W., Romare's Renaissance, in: ARTnews, Vol. 91, February 1992, pg. 21, ARTnews Association, New York.
Wingate, Jennifer, Romare Bearden: Biography, in: Art Criticism, Vol.14 no.1, 1999, p. 7-10, Dept. of Art, State University of New York at Stony Brook, Long Island, New York.
Camille Billops
Acton, David, A Spectrum of Innovation: Color in American Printmaking (1890-1960), Norton, New York, 1990.
Adams, Clinton, American Lithographers 1900-1960: The Artists and Their Printers, University of New Mexico, Albuquerque, 1983.
Katonah Museum of Art, Re/Righting History: Counter Narratives by African American Contemporary Artists, exhibition catalogue, Katonah, New York, 1999.
Moore, Darrell, A Mosaic of Black Women Directors, in: Afterimage, Vol. 19, no. 9, April 1992, pg. 4-5, Visual Studies Workshop, Rochester, New York.
Shengold, Ann, Camille Billops: Hodges Taylor Gallery, North Carolina; exhibit, in: Art Papers, Vol. 21 September/October 1997, pg. 61, Atlanta Art Papers Inc., Atlanta, Georgia.
Robert Blackburn
Art in print: a tribute to Robert Blackburn: an exhibition in the Schomburg Center for Research in Black Culture, November 30, 1984-January 18, 1985, New York Public Library, New York, 1984.
Columbia Museum of Art, Through a master printer; Robert Blackburn and the Printmaking Workshop, exhibition catalogue, The Museum, South Carolina, 1985.
Shaw, Janathel, Saving the Family, Saving Our Sons, in: Ceramic Review, no. 163, January 1997, pg.16-17, Craftsmen Potters Association of Great Britain, London.
Jemisin, Noah, Bob Blackburn's Printmaking Workshop: the artist of color, The Workshop, New York, 1991.
Moe Brooker
Harris, Juliette, Private Dancer, Private Dealer, Private Show!, in: International Review of African American Art, Vol. 16, no. 3, 1999, pg. 2-60, Museum of African American Art, Santa Monica, California.
Marlais, M., Moe Brooker, Heidi Fasnacht, Craig Lucas, John Moore: Pollock Gallery, Toronto, Exhibition Review, in: Art Magazine n. 55, Vol. 13, September 1981, pg. 44-5, Art Magazine Inc., Toronto.
Recherché : James Brantley, Moe Brooker, Charles Burwill, Syd Carpenter, Nannette Acker Clark, Walter Edmonds, Carolynn Hayward-Jackson, Jimmy Mance, Hubert Taylor : January 8-February 2, 1990, exhibition catalogue, Levy Gallery for the Arts in Philadelphia, Moore College of Art and Design, Pennsylvania, 1990.
Six perspectives 1984 : Moe Brooker, Kathy Buszkiewicz, Paula Dubaniewicz, Luke and Rolland Lietzke, Ed Mieczkowski, Lillian Tyrrell, exhibition catalogue, Akron Art Museum, 29 January-25 March 1984, Ohio, 1984.
Calvin Burnett
Gaither, Edmund B., Massachusetts masters : Afro-American artists : a survey exhibition of the works of Afro-American artists working in Massachusetts in the twentieth century with particular highlights on the careers of Ellen Banks, Calvin Burnett, Allan R. Crite, Milton Derr, Lois Mailou Jones, John Wilson, Museum of the National Center of Afro-American Artists, Boston, 1988.
C
Nora Mae Carmichael
General Reading Resources
Kevin Cole
Leininger, Theresa, Eight + one from Atlanta, January 4 - February 12, 1993, exhibition catalogue, Tangeman Gallery, University of Cincinnati, 1993.
Elizabeth Catlett
Berlind, Robert, (Interviewer), Elizabeth Catlett, in: Art Journal, Vol. 53, no. 1, Spring 1994, pg. 28-30, College Art Association, New York.
Cameron, Alison, Buenos Vecinos: African American Printmaking and the Taller de Grafica Popular, in: Print Quarterly, Vol. 16, no. 4, December 1999, pg. 353-67, Print Quarterly Ltd. London.
Catlett, Elizabeth, (Interviewer) Richmond Barthe and Elizabeth Catlett: an exchange, in: International Review of African American Art, Vol. 6, no. 1, 1985, pg. 14-25, Museum of African American Art, Santa Monica, California.
Catlett, Elizabeth, Elizabeth Catlett Sculpture: A Fifty-Year Retrospective, Neuberger Museum of Art, Purchase College, State University of New York; distributed by the University of Washington Press, Seattle, 1998.
Cotter, Holland, Black Artists: Three Shows, in: Art in America, Vol. 78, no. 3, March 1990, pg. 164-71, 217, Brandt Art Publications, New York.
Diehl, Carol, The Likeness of Being, in: ARTnews Vol. 99, no. 4, April 2000, pg. 164, ARTnews Association, New York.
Gladstone, Valerie, Elizabeth Catlett: role modeler, in: ARTnews, Vol. 97 January 1998, pg. 54+, ARTnews Association, New York.
Goldman, S.M., Six Women Artists of Mexico, in: Women's Art Journal, Vol. 3, no. 2, Fall/Winter 1983, pg. 1-9, Woman's Art, Knoxville, Tennessee.
Gouma-Peterson, T., Elizabeth Catlett: The Power of Human Feeling and of Art, in: Women's Art Journal, Vol. 4, no. 1, Spring-Summer 1983, pg. 48-56, Woman's Art, Knoxville, Tennessee.
Herzog, Melanie, Elizabeth Catlett: An American Artist in Mexico, University of Washington Press, Seattle, 2000.
Hewitt, Mary Jane, Elizabeth Catlett, in: International Review of African American Art, Vol. 7, no. 2, 1987, pg. 26-33, Museum of African American Art, Santa Monica, California.
Kearns, Martha, Elizabeth Catlett: the Spirit of Form, in: Sculpture, Vol. 18 no. 2 March 1999, pg. 30-5, National Sculpture Society, New York.
Lusaka, Jane, Head, Hand and Heart: to serve and conserve, in: Museum News, Vol. 78, no. 1, January-February 1999, pg. 40-5, American Association of Museums, Washington, DC.
Sims, Lowery S., Elizabeth Catlett: a life in art and politics, in: American Visions Vol. 13 no. 2, April/ May 1998, pg. 20-5, Visions Foundation, Washington, D.C.
Tesfagiorgis, Frieda High, Afrofemcentricism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold, in: Sage, Vol. 4, no. 1, Spring 1987, pg. 25-32, Sage Women's Educational Press, Atlanta, Georgia.
Well, Rex, Narratives of African-America Art and Identity: The Art Gallery, University of Maryland, in: ARTnews, Vol. 98 no. 2 February 1999, p. 118+, ARTnews Association, New York.
Robert Colescott
Bookhardt, D. Eric, New Orleans, in: Art Papers, Vol. 24 no. 3 May/June 2000, pg. 41-2, Art Papers Inc., Atlanta, Georgia.
Diehl, Matthew, Picasso was here: five contemporary artists mime the master, in: Art and Antiques, Vol. 6 February 1989, pg. 37-8, Billboard Publications, New York.
Fitzgerald, Sharon, Robert Colescott rocks the boat, in: American Visions, Vol. 12 June/July 1997, pg. 14-19, Visions Foundation, Washington, DC.
Gardner, Paul, Taking the Plunge, in: ARTnews, Vol. 97, no. 2, February 1998, pg. 110-13, ARTnews Association, New York.
Goldman, Joseph; Falkenstein, Michelle; Pollack, Barbara; Itoi, Kay; Katauskas, Ted, The Next Wave, in: ARTnews, Vol. 98, no. 7, Summer 1999, pg. 138-9, ARTnews Association, New York.
Hirsch, Faye, From Picasso to Sepik River: an Interview with Robert Colescott, in: On Paper, Vol. 1, no. 5, May-June 1997, pg. 34-7, Fanning Pub. Co., New York.
Johnson, Ken, Colescott on black and white, New Museum, New York; traveling exhibit, in: Art in America, Vol. 77 June 1989, pg. 148-53+, Brandt Art Publications, New York.
Leslie, Richard, Racism in the Art World: a report on a report, AIR Gallery, New York, in: New Art Examiner, Vol. 25 September 1997, pg. 44-5, New Art Association, Chicago, Pennsylvania, Washington DC.
Miller, Francine Koslow, Robert Colescott's Acerbic Brush, in: Art New England, Vol. 19, December/January 1998, pg. 22-4, Art New England Inc., Newtonville, Massachusetts.
Newkirk, Pamela, Shaping the Story of Black Art, in: ARTnews, Vol. 99, no. 5, May 2000, pg. 198-201, ARTnews Association, New York.
Odita, Odili Donald, Don't Worry, Be Happy?, in: Art Papers, Vol. 22 no. 6 November/ December 1998, pg. 24-5, Art Papers Inc., Atlanta, Georgia.
Sadler, Rosalin, Who Killed Sandra Fisher?, in: Modern Painters, Vol. 10, no. 3, Autumn 1997, pg. 84-6, Fine Art Journals, London.
Waltzer, Jim, Robert Colescott: painter to represent United States at Venice Biennale, 1997, in: Art and Antiques, Vol. 20 June 1997, pg. 104, Billboard Publications, New York.
Allan Rohan Crite
Caro, Julie Levin, Allan Rohan Crite, in: American Art Review, April 2001, Kellaway Pub. Co., Los Angeles, California.
Crite, Allan Rohan, An Autobiographical Sketch, Unpublished Manuscript, Suffolk University, Boston, Massachusetts, Donated in 1984.
Culver, Michael, Charles H. Woodbury and His Students, in: American Art Review, August 1998, Kellaway Pub. Co., Los Angeles, California.
Hills, Patricia, Social Concern and Urban Realism: American Painting in the 1930s, Boston University Art Gallery, Boston, 1983.
Marlor, Clark S., The Society of Independent Artists: Exhibition Record 1917-1944, Noyes Press, Park Ridge, New Jersey, 1984.
D
Louis Delsarte
General Reading Resources
David C. Driskell
Driskell, David C., David C. Driskell: a survey, The Art Gallery, University of Maryland, College Park, Maryland, 1980.
Driskell, David, An Artist Recounts the Creative Lead and Moves into the 1960s, in: International Review of African American Art, Vol. 15, no. 1, 1998, pg. 5-7, Museum of African American Art, Santa Monica, California.
Driskell, David C.; Pogue Stephanie, David Driskell: June 9-July 16, 1993, Midtown Payson Galleries, New York, 1993.
Greenleaf, Ken, The Colby College Museum of Art/Waterville: Narratives of African-American Art and Identity and Echoes; the art of David C. Driskell, in: Art New England Vol. 21 no. 1 December 1999/January 2000, pg. 35-6, Art in New England, Inc., Newtonville, Massachusetts.
James, Curtia; Failing, Patricia; Cotter, Holland, Beyond the Boundaries of Black Art, in: Art Papers, Vol. 14, no. 4, July/August 1990, pg. 36-7, Atlanta Art Papers, Inc., Atlanta, Georgia.
King-Hammond, Leslie, David C. Driskell: a memoir of a painter cum scholar, in: International Review of African American Art, Vol. 14 no. 1 1997, pg. 4-9, Museum of African American Art, Santa Monica, California.
Langley, Jerry L, David C. Driskell: nearly half a century of collecting, in: International Review of African American Art, Vol. 16 no. 2, 1999, pg. 2-11, International Review of African American Art.
Narratives of African American Art and Identity, the David C. Driskell Collection, October 22-December 19, 1998, The Art Gallery, University of Maryland, College Park; Colby College Museum of Art, Waterville, Maine; The Fine Arts Museums of San Francisco, San Francisco, California; High Museum of Art, Atlanta, Georgia; The Newark Museum, Newark, New Jersey, traveling exhibition, The Art Gallery in collaboration with Pomegranate Artbooks, San Francisco, California, 1998.
Pitts, Terrance, David C. Driskell affirms African American Culture, in: American Visions, Vol. 14 no. 1, February/ March 1999, pg. 28-9, Visions Foundation.
E
Allan Edmunds
Lewis, Samella, Alan L. Edmunds: the Family Album 1988-1998, The Esther Klein Gallery, Philadelphia, Pennsylvania, 1998.
Loftin, Susan; Resch, Fran; Rodriguez, Geno, Beyond aesthetics : artworks of conscience, The Alternative Museum, New York, 1991.
Melvin Edwards
Anreus, Alejandro, The Prints of a Sculptor, Jersey City Museum, Jersey City, 2000.
Hines, Watson, Mel Edwards, in: International Review of African-American Art, Vol. 7, no. 2, 1987, pg. 34-51, Museum of African American Art, Santa Monica, California.
Leavitt, Thomas, Painting up front: Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, 1981.
Washington, Elsie B., Educating the Eye: Winston-Salem State University, North Carolina, in: ARTnews, Vol. 85 September 1986, pg. 11-12, ARTnews Association, New York.
G
Sam Gilliam
Beardsley, John, Sam Gilliam, March 24-May 22, 1963, exhibition catalogue, Corcoran Gallery of Art, Washington D.C., 1983.
Cohen, Jean Lawlor, Sam Gilliam, in: ARTnews, May 1993, ARTnewsAssociation, New York.
Driskell, David C., Contemporary Visual Expressions: the art of Sam Gilliam, Martha Jackson-Jarvis, William T. Williams, Smithsonian Institution Press, Washington DC, 1987.
Gilliam, Sam, Sam Gilliam: Small Drape Paintings, 1970-1973, exhibition catalogue, February 24-March 24, Middendorf Gallery, Washington DC, 1990.
Henry, G., A Metaphor for Human Being: New Paintings by Sam Gilliam, in: Arts Magazine, Vol. 59, no. 6, February 1985, pg. 78-9, Art Digest, Inc., New York.
Langley, Jerry; Harris, Juliette, Abide with Art: Collecting as a Way of Life, in: International Review of African American Art, Vol. 16, no. 2, 1999, pg. 54-63, Museum of African American Art, Santa Monica, California.
Monroe, B.A., Sam Gilliam, in: Black Art, Vol. 4, no. 4, 1981, p. 16-24, Black Art Quarterly, Ltd., Claremont, California.
Perry, Regenia, A Celebration of African American Artistry and Vision, in: Smithsonian, Vol. 24, no. 8, 1993, pg. 136-48, Smithsonian Associates, Washington, DC.
Poling, C., Interview: Sam Gilliam, in: Art Papers, Vol. 6, no. 1, January-February 1982, pg. 6-8, Atlanta Art Papers, Atlanta, Georgia.
Rose, Barbara, Sam Gilliam: abstraction as identity, in: International Review of African American Art, Vol. 13 no. 3 1996, pg. 18-23, Museum of African American Art, Santa Monica, California.
Schwabsky, B., Abstraction and its Double: Transformations Within the Constructive Mode, in: Arts Magazine, Vol. 61, no. 1, September 1986, pg. 68-71, Art Digest, Inc., New York.
Weil, Rex, Sam Gilliam, in: ARTnews, Vol. 99, no. 2, February 2000, pg. 168, ARTnews Association, New York.
Yood, James, Sam Gilliam: Klein Art Works, Chicago, exhibit, in: Artforum International, Vol. 35 May 1997, pg. 112-13, Artforum International Magazine, New York, N.Y.
Eugene Grigsby
Mitchell, Leatha Simmons, National Scene, part two, in: International Review of African American Art, Vol. 14 no. 1, 1999, pg. 14-28, Museum of African American Art, Santa Monica, California.
H
Varnette Honeywood
Honeywood, Varnette, Traditions, she who learns teaches: the art of Varnette P. Honeywood, April 10 - May 20, 1987, John D. Rockefeller, Jr., Fine Arts Building, Spelman College, The College, Atlanta, Georgia, 1987.
6 African American artists: January 31 - February 23, 1989, University Art Gallery, California State University, Dominguez Hills, Carson, California, 1989.
Margo Humphrey
Adams, Clinton, Art as a Testament: A Conversation with Margo Humphrey, in: The Tamarind Papers, 9, Spring 1986, pg. 16-26, Tamarind Institute, Albuquerque, New Mexico.
Cebuluski, E., The Phelan Awards: Holly Downing, Margo Humphrey, Lynn Klein, Roy W. Ragle, Christine Riedell, exhibition review, World Print Gallery, San Francisco, California, in: Artweek, Vol. 14, no. 28, 27 August 1983, pg. 4-5, Oakland, California.
James, Curtia, (Brody's Gallery, Washington DC; exhibit), New Art Examiner, Vol. 19 February/ March 1992, pg. 34-5, Chicago New Art Association, Chicago.
Matthews, Lydia, Kate Delos and Margo Humphrey: Interview, in: Artweek, Vol. 22 February 14, 1991, pg. 16-17, Oakland, California.
Newkirk, Pamela, Shaping the Story of Black Art, in: ARTnews, Vol. 99, no. 5, May 2000, pg. 198-201, ARTnews Association, New York.
J
Wadsworth A. Jarrell
Leininger, Theresa, Eight + one from Atlanta, January 4 - February 12, 1993, exhibition catalogue, Tangeman Gallery, University of Cincinnati, 1993.
Loïs Mailou Jones
Benjamin, Tritobia H., The Life and Art of Loïs Mailou Jones, Pomegranate Artbooks, San Francisco, 1994.
Driskell, David C., Loïs Mailou Jones (1905-1998), in: American Art, Vol. 12 no. 3 Fall 1998, pg. 86-88, Oxford University Press in association with the National Museum of American Art, Smithsonian Institution, New York, N.Y.
LaDuke, Betty, Loïs Mailou Jones: the grande dame of African American Art, in: International Review of Africa American Art, Vol. 15 no. 2, 1998, pg. 39-42, Museum of African American Art, Santa Monica, California.
Montgomery, E. J., Remembering Lois, in: International Review of African American Art, Vol. 15, no. 2, 1998, pg. 42, Museum of African American Art, Santa Monica, California.
Russell, Dick, Black genius and the American experience, Carroll & Graf ed., 1998.
K
Paul Keene
Brooker, Cheryl; Tomlinson, Glenn C. Corpus, Rolando, A Selection of Works by African American Artists in the Philadelphia Museum of Art, in: Bulletin, Vol. 90, no. 382-383, Winter/Spring 1995, pg. 2-47, Philadelphia Museum of Art, Philadelphia, Pennsylvania.
Csaszar, Tom, On Paul Keene and Lily Yeh: the Village of Arts and Humanities, in: New Art Examiner, Vol. 22, September 1994, pg. 40, New Art Associations Chicago, Pennsylvania, and Washington, D.C.
Falk, Peter Hastings, The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Sound View Press, Madison, Connecticut, 1989.
Lewis, Samella, Art: African American, Handcraft Studios, Los Angeles, 1990.
Lewis, Samella, African American Art and Artists, University of California Press, Berkeley, California, 1990.
Moore, Lewis Tanner, Paul Keene: An Appreciation, in: International Review of African American Art, Vol. 16, no. 1, 1999, pg. 44-51, Museum of African American Art, Santa Monica, California.
Pacini, Marina, Papers of Paul Keene; an appreciation, biography, in: International Review of African-American Art, Vol. 16, no. 1, 1999, pg. 44-51, Museum of African American Art, Santa Monica, California.
Paul Keene: Serial Images; Prints, Drawings, Mixed Media, and Collages, Printed Image Gallery, Philadelphia, Brandywine Workshop, 1998.
Smith, Erkia Jaeger, The Visual Heritage of Bucks County, in: American Art Review, December 1998, Kellaway Pub. Co., Los Angeles.
Tomlinson, Glenn C, Paul Keene, in: Bulletin, Vol. 90, Winter 1995, pg. 26-7, Philadelphia Museum of Art, Philadelphia, Pennsylvania.
Gwendolyn Knight
De Vuono, Frances, Francis Seders Gallery, Seattle exhibit, in: ARTnews, Vol. 93, December 1994, pg. 147, ARTnews Association, New York.
The Virginia Lacy Jones Gallery, Gwendolyn Knight paintings: January 10-February 10, 1988, exhibition catalogue, Robert W. Woodruff Library, Atlanta University, 1988.
L
Jacob Lawrence
Ames, Joan Evelyn, Mastery: Interviews with 30 Remarkable People, Rudra Press, Portland, Oregon, 1997.
Borum, Jenifer P., Jacob Lawrence, Museum of Modern Art; Whitney Museum of American Art at Philip Morris; Midtown-Payson Galleries, New York; exhibits, in: Artforum International, Vol. 33, May 1995, pg. 101, Artforum International Magazine, New York.
Cash, Stephanie, Jacob Lawrence, in: Art in America, Vol. 88, no. 9, September 2000, pg. 166, Brandt Art Publications, New York.
Chamblee, Angela E., Frederick Douglass in the Painting of Jacob Lawrence and the Poetry of Robert Hayden, in: Proteus, Vol. 12, no. 1, 1995, pg. 18-23, Alexandria, Virginia.
Kaufman, Jason Edward, The Saga of American Blacks According to Jacob Lawrence, in: Art Newspaper, Vol. 4 December 1993, pg. 14, Umberto Allemandi & Co., London.
Lawrence, Jacob, Jacob Lawrence: the migration series, Phillips Collection, Rappahannock Press, Washington DC, 1993.
Ledes, Alison Eckardt, Lawrence Retrospective, in: The Magazine Antiques, Vol. 160, no. 1, July 2001, pg. 24-6, Straight Enterprises, New York, N.Y.
Lovelace, Carey, The Artist's Eyes: Jacob Lawrence, National Academy of Design, New York, in: ARTnews, Vol. 95, December 1996, pg. 79-80, ARTnews Association, New York.
Nesbett, Peter T., Jacob Lawrence: Thirty Years of Prints (1963-1993): catalogue raisonne', Francine Seders Gallery, University of Washington Press, Seattle, 1994.
Nesbett, Peter T., The Complete Jacob Lawrence, University of Washington Press, Seattle, 2000.
Nesbett, Peter T., DuBois Michelle, eds., Over the Line: The art and Life of Jacob Lawrence, Philipps Collection, Washington, DC, 2000.
Newkirk, Pamela, Shaping the Story of Black Art, in: ARTnews, Vol. 99, no. 5, May 2000, pg. 198-201, ARTnews Association, New York.
Pohl, Frances K., In the Eye of the Storm: An Art of Conscience, 1930-1970: Selections from the Collection of Philip J. and Suzanne Schiller, Pomegranate Artbooks, San Francisco, 1995.
Powell, Richard J., Jacob Lawrence: keep on moving, in: American Art, Vol. 15, no. 1, Spring 2001, pg. 90-3, Oxford University Press in association with the National Museum of American Art, Smithsonian Institution, New York.
Tomlinson, Glenn C., Jacob Lawrence, in: Bulletin, Vol. 90, Winter 1995, pg. 18-19, Philadelphia Museum of Art, Philadelphia, Pennsylvania.
Wallis, Stephen, Jacob Lawrence: portrait of a serial painter, in: Art and Antiques, Vol. 19, December 1996, pg. 18-19, Billboard Publications, New York.
Wheat, Ellen Harkins, Jacob Lawrence: the Frederick Douglass and Harriet Tubman Series of 1938-1940, Hampton University Museum, Hampton, Virginia, 1986.
Wheat, Ellen Harkins, Jacob Lawrence; an American Painter, Seattle Art Museum, University of Washington Press, Seattle, 1986.
Zeidler, Jeanne, Jacob Lawrence- September 7, 1917- June 9, 2000, in: International Review of African American Art, Vol. 17, no. 1, 2001, pg. 59, Museum of African American Art, Santa Monica, California.
Hughie Lee-Smith
Kenkeleba Gallery, Three masters: Eldzier Cortor, Hughie Lee-Smith, Archibald John Motley, Jr., May 22, 1988-July 17, 1988, exhibition catalogue, New York, 1998.
King-Hammond, Leslie, African-American art: 20th century masterworks, VII: educating our children, Michael Rosenfeld Gallery, New York, 1998.
Lee-Smith, Hughie; Rhoden, John W., Joining forces: Hughie Lee Smith and John W. Rhoden, Upper Montclair, N.J. : Montclair State College,1988.
Lee-Smith, Hughie; Marion, Sara L., Stages of influence: the universal theatre of Hughie Lee-Smith, University of New Mexico Art Museum, Albuquerque, New Mexico, 2001.
Jelliffe, Russell W; Jelliffee Rowena; Hunter, John, The Russell and Rowena Jelliffe Collection : prints and drawings from the Karamu Workshop, 1929-1941, Cleveland State University Art Gallery, Cleveland, Ohio, 1994.
Samella Lewis
Butcher, Joanna, Samella Lewis, in: Art Papers, Vol. 14, no. 4, July/August 1990, pg. 20-2, Atlanta Art Papers, Atlanta, Georgia.
Powell, R.J., I, Too, Am America, Protest and Black power: Philosophical Continuities in Prints by Black Americans, in: Black Art, Vol. 2, no. 3, Spring 1978, pg. 4-25, Black Art Quarterly, Ltd. Claremont, California.
Zeidler, Jeanne, From the Collection of Samella Lewis: magnificent art for her alma mater, in: International Review of African American Art, Vol. 16 no. 2, 1999, pg. 12-17, Museum of African American Art, Santa Monica, California.
M
Percy B. Martin
Perlmutter, Jack, Percy Martin, in: Art Voices, Vol. 1, no. 6, November/December 1978, pg. 42, Washington D.C., Art Voices Magazine, New York.
Tom Miller
Next Generation: Southern Black Aesthetic, exhibition catalogue, Winston-Salem, North Carolina, Southeastern Center for Contemporary Art; University of North Carolina Press, Chapel Hill, North Carolina, 1990.
Scott, Stephen, An Exuberance and Imagined: Tom Miller (1945-2000), in: International Review of African American Art, Vol. 17 no. 1, 2000, pg. 60-2, Museum of African American Art, Santa Monica, California.
Evangeline J. Montgomery
Rollins, Gina, E.J. Montgomery Interviewed by Gina Rollins and A.M. Weaver of Montgomery's Prints: Configurations of Memory, in: Washington Review, Vol. XXII, no. 5, February/ March 1998, Friends of the Washington Review of the Arts, Washington, DC.
Keith Morrison
Bettelheim, Judith, Three Transnational Artists: Josee Bedia, Edouard Duval-Carrie and Keith Morrison, in: International Review of African American Art, Vol. 15 no. 3, 1998, pg. 42-8, Museum of African American Art, Santa Monica, California.
Driskell, David C., Contemporary Visual Expressions: the art of Sam Gilliam, Martha Jackson-Jarvis, Keith Morrison, and William T. Williams, Smithsonian Institution Press, Washington, DC, 1987.
Risatti, Howard Anthony, Standard Exclusions - an interview with Keith Morrison, in: New Art Examiner, Vol. 18, February 1991, pg. 29, New Art Association, Chicago, Pennsylvania, Washington, D.C.
Tromble, Meredith, A Conversation with Keith Morrison, dean of academic affairs, San Francisco Art Institute, in: Artweek, Vol. 25, May 5, 1994, pg. 14-15, Oakland, California.
N
Joseph Norman
Faxon, Alicia, DuBlois Gallery/Newport: Cornucopia: Return form Malaspina by Joseph Norman, in: Art New England, Vol. 19, no. 6, October/ November 1998, pg. 42, Art New England, Inc., Newtonville, Massachusetts.
Faxon, Alicia, The Museum of Fine Arts/ Boston: Dialogue, John Wilson/ Joseph Norman; exhibit, in: Art New England, Vol. 17, February/ March 1996, pg. 63-4, Art New England, Inc., Newtonville, Massachusetts.
Pantalone, John, Virginia Lynch Gallery/Tiverton: Joseph Norman, Berlin Autumn: Black Forest Suite, in: Art New England, Vol. 19, no. 6, October/ November 1998, pg. 42, Art New England, Inc., Newtonville, Massachusetts.
O
Mary O'Neal Lovelace
Brockington, Horace, My Art, My Painting?, in: Artists and Influence, Hatch-Billops Collection, Vol. 6, 1988.
Jennings, Corrine, A/cross Currents: synthesis in African American abstract painting, Kenkeleba House, New York, 1992.
LeFalle-Collins, Lizzetta, No Justice, No Peace?, California Afro-American Museum Foundation, Los Angeles, California, 1993.
O'Neal Mary Lovelace, Mary Lovelace O'Neal Paintings and Print, October 6-December 7, 1990, De Saisset Museum, Santa Clara University, Santa Clara, California, 1990.
Roth, Moira, Connecting Conversations: Interviews with 28 Bay Area Women Artists, Eucalyptus Press, Oakland, California, 1998.
Security Pacific Gallery, The Sensual Palette, January 15-March 19, 1991, exhibition catalogue, San Francisco, 1991.
P
Anita Philyaw
General Reading Resources
Stephanie E. Pogue
James, Curtia, Howard University Gallery of Art, Washington, DC; exhibit, in: New Art Examiner, Vol. 19, June/ Summer 1992, pg. 41-2, New Art Association, Chicago.
Hall, Robert, Gathered Visions: selected works by African American women artists, Anacostia Museum, Smithsonian Institution, Washington, D.C., 1992.
R
John T. Riddle
Raley, J.R., Presenting Five Black Artists, in: Georgia Life, Vol. 6, no. 3, 1979, pg. 24-7, Georgia Life, Inc., Decatur, Georgia.
Riddle, John, African American Artists of Los Angeles, 1992-1993, in: Oral history transcript, Oral History Program, University of California, Los Angeles, 2000.
Faith Ringgold
Bobo, Jacqueline, Black feminist cultural criticism, Blackwell, Malden, Massachusetts, 2001.
Broude, Norma; Garrard, Mary D., The expanding discourse: feminism and art history, West View press, Boulder, Colorado, 1992.
Buckberrough, Sherry A., Renderings the modern woman: figurative images of women by contemporary artists, Joseloff Gallery, Hartford Art School, University of Hartford, West Hartford, Connecticut, 1980.
Bunchman, Janis; Briggs, Stephanie Bissell, Pictures&Poetry, Davis Publications, Worcester, Massachusetts, 1994.
Farrington, Lisa E.; Ringgold, Faith, Art on fire: the politics of race and sex in the paintings of Faith Ringgold, Millennium Fine Arts Pub., New York, 1999.
Gregory, Pat Jones, Pathways to empowerment. Lifestyle: 3 contemporary African American women in art, PB Graphics Design, East Orange, New Jersey, 1997.
Lansner, Fay; Gross, Suzanne; Johanson, Patricia, Major contemporary women artists: in celebration of Simone de Beauvoir, Suzanne Gross Gallery, Philadelphia, 1984.
Kordich, Diane D., Images of commitment: 20th century women artists, CRIZMAC, Tucson, Arizona, 1994.
Jacobs, Joseph, Making the mainstream: Robert Colescott, Emilio Cruz, Melvin E. Edwards, Bessie Harvey, William Hawkins, James Little, Faith Ringgold, University of South Florida Art Galleries, Tampa, Florida, 1987.
Pamer, Laurence; Weaver A.M., Burning issues: contemporary African American art, Museum of Art, Ft. Lauderdale, Florida, 1996.
Ringgold, Faith, Faith Ringgold: changes 2 painted story quilts, November 5- December 3, 1998, Bernice Steinbaum Gallery, New York, 1988.
Ringgold, Faith, Coming to Jones Road, Part One, Good Stuff Press, Englewood, New Jersey, 2000.
Ringgold, Faith; Cameron Dan., Dancing at the Louvre: Faith Ringgold's French Collection and other story quilts, University of California Press, Berkeley, California, 1998.
Weathers, Diane, Images of an era, in: International Review of African American Art, Hampton, Virginia, 13 (2), 1996, pg. 13-27.
S
Alison Saar
Cotter, Holland, Black Artist: Three Shows, in: Art in America, Vol. 78, no. 3, March 1990, pg. 164-71, Brandt Art Publisher, New York.
Dodds, Jane, Sculpture City, in: Art in America, Vol. 78, no. 1, January 1990, pg. 46-7, 49, 51, Brandt Art Publisher, New York.
Duncan, Michael, Freeing the Figure, in: Art in America, Vol. 84, no. 4, April 1996, pg. 44-5, Brandt Art Publisher, New York.
Forgacs, Eva, Alison Saar at Jan Baum, in: Art Issues, n. 54, September/October 1998, pg. 38, Foundation for Advanced Critical Studies, Hollywood, California.
Frankel, David, Alison Saar; Lesley Saar, in: Artforum, Vol. 36, no. 5, January 1998, pg. 98-9, Artforum, New York.
Friedman, Martin L., Visions of America: landscapes as metaphor in the late twentieth century, Denver Art Museum, Denver, Colorado; Columbus Museum of Art, Ohio, Distributed by H.N. Abrams, 1994
Jones, Amelia, Betye and Alison Saar, Frederick S. Wight Gallery, University of California, Los Angeles, exhibit, in: Artforum International, Vol. 28, April 1990, pg. 182, Artforum International Magazine, New York.
Reed, Michael, Alison Saar, in: Art Papers, Vol. 23 no. 3, May/June 1999, pg. 58, Atlanta Art Papers Inc., Atlanta, Georgia.
Sheperd, Elizabeth, Secrets, Dialogues, Revelations: the art of Betye and Alison Saar, Frederick S. Wight Art Gallery, University of California, Los Angeles, 1990.
Sidney, Lawrence, The Color of Art, in: American Art, Vol. 11, no. 1, Spring 1997, pg. 2-9, Oxford University Press in association with the National Museum of American Art, Smithsonian Institution, New York.
Smucker, Ronica Sanders, Interview with Alison Saar, in: Artforum International, Vol. 37, no. 7, March 1999, pg. 119-20, Artforum International Magazine, New York.
Smucker, Ronica Sanders, Interview with Alison Saar, in: Art Papers, Vol. 18, July/August 1994, pg. 15-19, Atlanta Art Papers, Georgia.
Unger, Mary Ann, In a dark vein: Nancy Fried, Arlene Love, Deborah Masters, Louise McCagg, Alison Saar, Mary Ann Unger: February 25-March 25, 1989, New Sculpture Center, New York, 1989.
Van Proyen, Mark, A Conversation with Betye and Alison Saar, interview, in: Artweek, Vol. 22, August 15, 1991, pg. 3+, Oakland, California.
Wilson, Judith, Hexes, Totems and Necessary Saints: A Conversation with Alison Saar, in: Real life, Winter 1988-89, pg. 36-44, A Real Life, Inc., New York, 1996.
Wilson, Judith, Down the crossroads, the art of Alison Saar, Third text: Third World perspectives on contemporary art and culture, Vol. 10, Spring 1990, pages 25-44, London.
Betye Saar
Angelou, Maya; Cole, Johnetta Betsch; McDaniel, M. Akwll; Guy-Sheftall, Beverly; Benjamin, Tritobia Hayes; Sims, Lower Stokes; Wilson, Judith; Cleage, Pearl, Bearing Witness: Contemporary Works By African American Women Artists, Rizzoli, New York, 1996.
Ball, Maudette, Southern California Artists: 1940-1980, July 24-September 13, 1981, exhibition catalogue, Laguna Beach Museum of Art, Laguna Beach, California, 1981.
Broude, Norma; Gerrard, Mary D., The Power of Feminist Art: Emergence, Impact and Triumph of the American Feminist Art Movement, Thames and Hudson, London, 1994.
Busler, Leslie; Ganglehoff, B., Best of the West, in: Southwest Art, June 1999, Art Magazine Publishers, Houston, Texas.
Cullum, Jerry, Art at the Centennial Olympic Games, in: Art Papers, Vol. 20, no. 6, Nov/Dec 1996, pg. 20-37, Atlanta Art Papers, Atlanta, Georgia.
Donohue, Marlena, American Sculpture Tour: Los Angeles - a view from above, in: Sculpture, Vol. 18, no. 9, November 1999, pg. 41-6, in National Sculpture Society, New York.
Jones, Ronald, Crimson Herring, in: Artforum, Vol. 36, no. 10, Summer 1998, pg. 17-18, Artforum New York.
Lawrence, Sidney, The Color of Art, in: American Art, Vol. 11, no. 1, Spring 1997, pg. 2-9, Oxford University Press in association with the National Museum of American Art, Smithsonian Institution, New York.
Lovelace, Carey, Oh No! Mistakes into Masterpieces, in: ARTnews, Vol. 95, no. 1, January 1996 pg. 118-21, ARTnews Association, New York.
Lovelace, Carey, Weighing in on Feminism, in: ARTnews, Vol. 96, no. 5, May 1997, pg. 140-5, ARTnews Association, New York.
Marrow, Marva, Inside the L.A. Artist, Peregrine Smith Books, Salt Lake City, 1988.
Moore, Sylvia, Yesterday and Today: California Women Artists, Midmarch Arts Press, New York, 1989.
Newkirk, Pamela, Pride or Prejudice, in: ARTnews, March 1999, ARTnews Association, New York.
Robins, Corrine, The Pluralist Era: American Art 1968-1981, Harper & Row, New York, 1984
Rosen, Randy, Making Their Mark: Women Artists Move Into the Mainstream, Abbeville Press, New York, 1989.
Rosenblum, Robert, Bidlo's Shrines, in: Art in America, February 1999, Brandt Art Publications, New York.
Rubinstein, Charlotte Striefer, American Women Sculptors: A History of Women Working in Three Dimensions, G.K. Hall, Boston, Massachusetts, 1990.
Saar, Betye, Installation as Sculpture: Site works by Betye Saar, in: International Review of African American Art, Vol. 6, no.1, 1985, pg. 44-9, Museum of African American Art, Santa Monica, California.
Preston Sampson
Explorations and Celebrations: Preston Sampson, Exhibition brochure, Arts Program at University of Maryland, University College, 1997.
Oda, Ken, Reviews of Explorations and Celebrations: Preston Sampson at UMUC Inn and Conference Center, KOAN, Vol. V, no. 6, March 1997, University of Maryland, University College.
Protzman, Ferdinand, The Strength of Sampson, in: The Washington Post, 22 Feb 1997: H2.
Preston Sampson III, in: American Visions, August/September 1995, pg. 26, Visions Foundation, Washington, DC.
Frank Smith
General Reading Resources
Vincent Smith
Fitzgerald, Sharon, Vincent Smith: sage, bohemian, prince, biography, in: American Visions, Vol. 14, no. 3, June/July 1999, pg. 22-7, Visions Foundation, Washington, DC.
Mortimer, Caroline, The George Walter Vincent Smith Art Museum, Springfield, VA, in: International Journal of Museum Management and Curatorship, Vol. 6, December 1987, pg. 353-72, New York.
Lou Stovall
Lou Stovall: The Art of Silkscreen Printmaking, Howard University Gallery of Art, Washington, DC, 2001.
Stovall Lou, Through their eyes: the art of Lou and Di Stovall, September 18-December 18, 1983, exhibition catalogue, Anacostia Neighborhood Museum Smithsonian Institution, Smithsonian Institution Press, Washington, DC 1983.
W
James Lesesne Wells
Driskell, David, C., James Lesesne Wells 1902-1993, in: Washington Review, 18.6, 1993, pg. 22.
Porter, James A., Modern Negro Art, (first edition) 1943, Howard University Press, Washington, D.C. 1992.
Powell, R. J., Talking With James Lesesne Wells, in: Print Review, no. 9, pg. 65-75, Published by Pratt Graphics Center and Kennedy Galleries, inc., 1979.
Powell, Richard, James Lesesne Wells: 60 Years in Art, Washington Project for the Arts, Washington, DC, 1986.
William T. Williams
Driskell, David. C., Contemporary Visual Expressions: the art of Sam Gilliam, Martha Jackson-Jarvis, Keith Morrison, and William T. Williams, Smithsonian Institution Press, Washington, DC, 1987.
Wojtas, Thomas, William T. Williams: Sherry Washington Gallery, Detroit; exhibit, in: New Art Examiner, Vol. 22, March 1995, pg. 46, New Art Association, Chicago.
William T. Williams, William T. Williams; fourteen paintings, The Montclair Art Museum, Montclair, New Jersey, 1991.
Kinglsey, A., From Explosion to Implosion: The Ten Year Transition of William T. Williams, in: Arts Magazine, Vol. 55, no. 6, February 1981, pg. 154-5, Art Digest Inc., New York.
.
John Wilson
Tarlow, Lois, John Wilson, interview, in: Art New England, Vol. 19, no. 5, August/September 1998, pg. 21-3+, Art New England, Inc., Newtonville, Massachusetts. |
